Critical Literary Studies, Vol. III, No. 2, Serial Number 6, Spring and Summer 2021 |
|
Becoming Legend in Richard Matheson’s I Am Legend: The Semiotic Last Resort for Survival
|
5-20 |
The Watermark of a Self in Narrating the Past: A Study of Autobiographical Memory in Vladimir Nabokov’s Speak, Memory
|
21-37 |
The Representation of the Twenty-first Century Children in Justin Kurzel's Macbeth 2015
|
39-54 |
The Commodification of Women in a Comparative Study of Pinter's Betrayal and Stoppard's The Coast of Utopia
|
55-75 |
Social Ecofeminsm Versus Cultural Ecofeminism: Marsha Norman’s Getting Out and ’night, Mother
|
77-91 |
Symbolic Consumption and Media in Bret Easton Ellis’ Less than Zero
|
93-108 |
Fear of Freedom: Erich Fromm and Ken Kesey's One Flew Over the Cuckoo's Nest
|
109-126 |
Dialogue Between Nature and Human in Margaret Atwood’s Alias Grace
|
127-141 |
Trilogy of Identity Transformation: Reading David Foster Wallace’s Novels
|
143-158 |
Investigating Narratological view of Focalization in Amy Tan's the Kitchen God's Wife
|
159-170 |
The Impact of Linguistic and Socio-Cultural Indicators on Naming Commercial Centers in Ardabil and Tehran
|
171-190 |
The Efficacy of Two Teaching Methods on Minimizing the Grammatical Errors in Translating Persian Sentences into English
|
191-210 |
Abstracts in Persian |
212-223 |