Issue Information and Contents

• Editorial
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Editorial Note

Pages 1-4

Bakhtiar Sadjadi

• Editorial
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Two Tales of a City: London in Ben Jonson’s The Alchemist and Samuel Johnson’s London

Pages 5-19

Farzad Boobani

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The Detrimental Impacts of Poppy Monoculture on Indigenous Subjects, Plants and Animals in Amitav Ghosh's Sea of Poppies

Pages 21-37

Fazel Asadi Amjad; Peyman Amanolahi Baharvand

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Semiotic and Cultural Analysis of English and Persian Advertising Slogans

Pages 39-61

Maryam Tarighatbin; Seyyed Shahabeddin Sadati

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Automaton and Tyche in Postmodern British Novel: A Critical Treatment of Chance in Jeanette Winterson’s The Passion

Pages 63-80

Hoda Niknezhad-ferdos; Jalal Sokhanvar

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The Intertextual and the Theatrical in Postmodern Drama: A Case Study of Stoppard’s Rosencrantz and Guildenstern Are Dead

Pages 81-95

Negar Sharif

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Hannah Arendt’s Human Condition in Neil Simon’s Theater

Pages 97-113

Nina Pezeshk Hamedani; Narges Montakhabi Bakhtvar

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Globalization, Risk, and Transformation of Intimacy: Investigating Mark Ravenhill’s Some Explicit Polaroids and Faust Is Dead

Pages 115-138

Zhila Gholami; Bakhtiar Sadjadi

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The Traces of Hermeticism in John Donne’s An Anatomy of the World

Pages 139-146

Fatemeh Azizmohammadi

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Gender and Performativity in Contemporary American Novel: A Butlerian Reading of Gone Girl by Gillian Flynn

Pages 147-165

Sadegh Ahmadi Asl; Hossein Aliakbari Harehdasht; Ehsan Karaminejad

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Guests in Albert Camus's "The Guest": Essence in Tartarus

Pages 167-183

Alireza N/A Farahbakhsh

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Literature as a Medium to Foster Critical Thinking: A Case Study of an Iranian EFL Classroom

Pages 185-204

Jalil Fathi; Ehsan Soleimani Dahenehsari

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20th Century American Family Drama: An Exploration of Image of Loss

Pages 205-222

Minoo Abouzarjomehri

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Abstracts in Persian

Pages 224-235

• Public Titles
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